In a nutshell, Bored & Dangerous says: “It’s just kind of shapeless, with any moments of character growth and audience satisfaction seeming a little too tacked on or forced in.”
“There’s only so much any of us have any control of, good or bad. If you didn’t learn that in Afghanistan, you were not paying attention.”
Tina Fey is one of the smartest, funniest voices in comedy right now, and has been for a solid decade or so. She had such a strong voice as the Head Writer of Saturday Night Live, that for the first time in my life, I actually knew who the Head Writer of Saturday Live was. She starred in and co-created 30 Rock, one of the best and most original sitcoms of the new millennium. Which is a list that her latest sitcom effort, The Unbreakable Kimmy Schmidt, is also pretty much assured a place on once it gets a few more episodes under its belt. And while I may have thought it was just OK, I can’t deny that she wrote a movie that has an important place in cinema for an entire generation with Mean Girls. Yet for all of that, for some reason, Fey is yet to really crack it as a bankable, big screen star. Which is something that likely and unfortunately won’t change with Whiskey Tango Foxtrot.
With a career behind the scenes for a cable news network in New York, Kim Baker (Fey) has found professional success, but not real satisfaction. With US forces invading Afghanistan in the fallout from 9/11, she jumps at the opportunity to move there as their on-camera correspondent. Landing in Kabul, she enters what more experienced journalists call the “Kabubble”. These more experiences journalists, including British reporter Tanya Vanderpole (Margot Robbie) and Scottish photographer Iain MacKelpie (Martin Freeman), introduce Kim to a world where western reporters party hard and bang their security guards in the safety of their oasis like compounds, in between reporting from active war zones in the field and just outside of their protected front doors. (more…)