In a nutshell, Bored & Dangerous says: “Allen has spent the majority of his long career trying to get his version of New York city onto the big screen, and none of his work does it better than this.”
“He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion.”
Woody Allen made slapstick comedies in the late 60s and early 70s. He made deadpan, Swedish inspired dramas in 80s. And he’s spent the last 30 years oscillating from beloved “returns to form” and supposed “pale imitations of his former greatness”. But in over half a century of film making, it’s amazing to me that he made what are commonly regarded has his two absolute masterpieces in such close proximity to each other. There was Annie Hall in 1977, then, just two years later, he blew everyone away even more, with Manhattan.
Struggling with writers block, the voiceover of Isaac (Allen) tries to define his love for the titular city and his place in it. Cut to the 42 year old Isaac having dinner with 17 year old, high school student and girlfriend, Tracy (Mariel Hemingway), along with best friend couple, Yale (Michael Murphy) and Connie (Karol Ludwig). When Tracy goes to the bathroom, the other middle agers at the table are quick to let Isaac know that they think dating a teenager probably isn’t a great idea. Isaac agrees, and has no good reason to stay with Tracy. He even actively tries to convince her to move on to someone closer to her own age. (more…)